The work begins with a robot as its point of departure. Through real-time AI translation, its mechanical gestures are endowed with a fluidity that approaches the human. Embodiment no longer relies on flesh, but is generated through algorithms, producing a “pseudo-aura” suspended between the real and the virtual.
The Triple Dance unfolds on stage: the mechanical, the digital, and the phantasmal human figure intertwine to form an unstable sense of presence before the viewer. It is within this paradoxical “absence-in-presence” that the dance converges into an algorithmic river—sweeping forward with histories of movement, form, and modes of existence, yet forever refusing to answer the question: Who am I?